Hey, we know we’re not the first people to write a gift guide in December. So sue us (please don’t).
Italian food. Fine fine dining. Ridiculously strong décor by Tibbatts Abel; the same people that did Saint Paul's House and Opheem, Aktar Islam's other joint over the road. It’s very hard to find anything not to love about Legna, the newbie to Fleet Street (that's basically Summer Row to the uninitiated).
It's an hour until curtain-up and I'm sitting next to a ballet dancer, a real life ballet dancer. Unbelievably graceful despite still being in jogging bottoms, Céline Gittens, Birmingham Royal Ballet Principal, is transforming herself into the Rose Fairy for the evening's performance of The Nutcracker. And the humble, strong, knowing 30-year-old is simultaneously talking to me about ballet, Birmingham and burgers...
What kind of Christmas decorator are you, are you a traditionalist that only uses red and gold decs, or are you more into, say, hanging sushi and avocado baubles? Whichever team you fall into, can we just all agree that you should probably have a balloon dog on your tree this year?
Decapitated Barbies and pig-shaped macarons with eighties bangers for your soundtrack isn't exactly what you might think of when someone invites you for a spot of afternoon tea. But when this is the invite and chef patron Alex Claridge is the one in charge, you're not in normal town anymore. You're in new kid on the neon block, Nocturnal Animals.
As you walk into Gas Hall, a huge holographic wall stretches out to the left, brandished with the words Women, Power, Protest. We all know BMAG don’t shy away from sensitive subjects (oh hey Coming Out), neither do they do sensationalism. For this show, they've created a space that's accessible for everyone despite the pretty intense subject matter. But joyously, the overtly glittery, pink, "feminine" aesthetics continue throughout.
You might expect a play based on a novel written 119 years ago to be a little, shall we say… old-fashioned. Well, let The Rep’s upcoming showing of Heart of Darkness, originally written by Joseph Conrad, change your mind.
I was 16 when The Lovely Bones was published, just two years older than the main character, Susie Salmon, who has been murdered and is now trapped in some kind of in-between. The heavy subject matter made waves through my school year, and in particular me and my angsty group of pals, but the story doesn’t seem like the easiest thing to translate to stage. We talked to designer Ana Inés Jabares-Pita about the challenges of creating a set showing both the everyday and the afterlife.
Give your Instagram feed an uplift by following some local female talent. These illustrators’ joyful posts will uplift your scrolling time and at the same time you're supporting independent artists. It's a win win.